TINY LITTLE ECOSYSTEM
AUG, 2020
This compositional experiment relates 3 distinct aesthetic worlds: The stochastic and game theory propositions for sound organization of Xenakis, Ian Chang’s live simulation and Wording parameters and the Naif, mythological wood carving sculptures of Veio.
This compositional experiment relates 3 distinct aesthetic worlds: The stochastic and game theory propositions for sound organization of Xenakis, Ian Chang’s live simulation and Wording parameters and the Naif, mythological wood carving sculptures of Veio.
YANGUI
NOV, 2020
Yangui é uma espécie de carta ancestral em formato imersivo, onde são discutidas cosmo-percepções afrobrasileiras, reiterando a elementaridade tecnológica de assuntos e dispositivos entre-temporais que pensam a formação e construção de uma identidade a partir dos contos da diáspora africana. Uma ritualidade figurativa que evoca sons do passado e sons do futuro definindo um plano sonoro do agora.
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PORTALS
APR, 2020
Portals is a 1:51 minutes acousmatic piece by composer Pedro Caiado. Inspired by the works of Richard Devine in his “Creatures”EP,
“Portals” explores sound textures, densities over the form and movement on the stereo field. The piece has one main section and a coda, during the first one the piece evolves as sine-like tones sporadicly come into and out of scene while a multitude of sonic objects ,each with a different implied masses, sizes and materials hover and cross the sonic landscape. This sections finishes as the sounds suddenly dissolve, silence follows and then the coda section begins, a 30 seconds noisy crescendo with spatialized staccato attacks that ends suddenly at its climax. The piece was done in its entirety using sounds created with the MakeNoise modular synthesizer that were then, with a plate reverb simulation and filtering, shaped in the form of the piece.
TRANSMIGRATION
JUL, 2020
Transmigration is a 1:38 minute acousmatic piece by composer Pedro Sodré. The sounds were realized using Csound generative instruments and a 555 based circuit bent synthesizer.
The piece was inspired by Penderecki’s and Richard Devine’s work. Throughout the unfolding of the piece synthetic tones presented with glissandos or with short duration with a percussive quality envelop are superimposed on top of string like grains and metallic like scrapping (done with waveguides).
Dealing with the empirical situation of the built instruments, a certain type of respect to way the sounds captured from the built synthesizer and the built algorithms manifest as a type of rawness. The sonic and compositional gestures points toward actions with non-programmatic unfolding and a general sense of navigating the unexpected.
AYANAMI
SEP, 2020
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"Ayanami, Why Do You Pilot Your Eva?" is a 3.. long acousmatic composition by composer Pedro Sodré. The piece was realized by processing a short sample of "Ayanami, Why Do You Pilot Your Eva?". The piece portraits a post-apocalyptic sound scape, and its abstract narrative evolves through the use of several different spectral processors.
OFFERING
OCT, 2020
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CREATIVE PROCESS
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CONNECT
JUL, 2020
A long-distance internet based interactive music system with visual feedback that uses real time synthesis and stochastic music parameters to generate musical interaction.
In Connect two users each control a character that navigates by moving through the environment, interacting with objects or each other can control their musical agents through 3 different environments.
CREATIVE PROCESS
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AUDIO DEVELOPMENT
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ELEVATION
AUG, 2020
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BIRDS SYSTEM
AUG, 2020
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GYRO
NOV, 2019
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PROTOTYNG
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CUTTER
AUG, 2020
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AURA
AUG, 2020
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QUASE TUDO NO SEU LUGAR
NOV, 2020
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CERIMONIAL
OCT, 2019
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FORMAS LIVE
JUL, 2019
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